Happy (belated) Superman Day!

Superman Day - 2026

I don't know why I don't realize these things until they are too late, but last week on April 18, 2026, it was Superman Day.  With Superman being my moral North Star since I was but a child (some would argue I have yet to grow up and I can't say they are entirely wrong), I thought I'd do up a painting of Christopher Reeve as Superman, why not?

After my mentioning I think I've been a little too heavy on digital painting of late in my last post, I figured I had to do up something with traditional painting--in this case it is another Acrylic painting.  Although, I wish I had a better scanner, as the colors are a bit more harsh than they are on the original.

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STEP ONE: Here are the quick pencils done with a blue pencil on an 11" x 14" piece of copy paper.

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STEP TWO: I was going to bust out the light box and trace it onto some watercolor paper and thought "Hey, why don't I just scan it in and print it out on some extra-heavy cardstock?"  Also, it was a bit larger that I was intending and shrunk it down to 8" x 10".  I converted the Blue Line to Black, darkened the lines, and printed it out to paint with Acrylic Paint.

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STEP THREE: And here's the first pass with Acrylic paint.  Mostly, just to lay out the basic shapes and colors and give the next layers something to stick to, as Acrylic seems to adhere better when going over top a previous Acrylic layer.

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STEP FOUR: And here's the final painting.  Alas, the finished painting is much more subtle in color and blending than the scanned image shows.  Ah, well...  I guess it's OK.

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Done traditionally with Acrylic Paint on 8" x 10" extra-heavy cardstock.

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Batman-uary 2026 - Batman #113 (1940) Cover Recreation

 BATMAN-UARY 2026:
Batman #113 (1940)

Batman-uary Returns!  This time it's a cover recreation of "Batman" #113 (1940)--a peculiarly significant issue in that it introduced the Batman of Zur-En-Arrh and his Bat-Radia.  It's a fun story with a goofy charm (the best charm there is, IMHO!).  Batman is compelled to go out on for a midnight fly in his Bat-Plane, only to be teleported by Tlano, the Batman of Zurr-En-Arrh.  On Zur-En-Arrh, Batman (our Earth Batman, that is) discovers he has the power of Superman on the alien world and uses them to help Tlano fight off an alien invasion and their giant robots.

I sorta wanted to do more with both Batman and the aliens on the cover, as they looked fun (and the fireballs from their lasers have an almost flower-like look to them which was intriguing) but, to be honest, the whole thing turned out better in my head than on the page.  Ah, well, that's the way it always goes, I'm sure.  Still, it wasn't a complete failure and is marginally OK.  Onward to the next one!

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Here is the original cover to "Batman" #113 (1940).

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STEP ONE:  Here's the briefly scribbled digital pencils, done on a 2,000px x 3,000px @ 300dip canvas in Clip Studio Paint.

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STEP TWO:  And the digital inks.

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STEP THREE: For the colors, the were mostly flat colors and for the building I used the Noise Filter to add some texture and the airbrush tool to add some shadows on a separate layer.  While it was modestly improved, I was mostly not too satisfied with the effect.  However, when I changed the shadow's Layer Property to "Hue", it resulted in an interesting, almost alien, color scheme that I wouldn't have chosen, but seemed fitting, methinks.

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Done digitally in Clip Studio Paint.

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Batman-uary 2026 - Luminous Uniform

BATMAN-UARY 2026:
Luminous Uniform

Na-na-na-na-na-nah... Batman-uary!  It's the Luminous Unoform, mentioned on the cover and one panel in "Detective Comics" #165 while fighting, um, I think it was Dr. Radium?  Anyhoo, I figured I'd do it up as a parody/pastiche for Alex Ross's cover to "Batman" #676, which seemed to lend itself to a glowing Batman costume.

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Here is the original cover to "Detective Comics" #165.

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And it was done as a parody/homage to Alex Ross's cover to "Batman 676"

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And here's the Batman-uary Logo.  Feel free to use it as you please...

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STEP ONE:  Here's a brief peek behind the curtain: I did up some quickly scrawled thumbnails done in Rebelle 8.  It was a choice of the Alex Ross cover, the Norm Breyfogle cover to "Detective Comics" #587, or a general looking Batman standing in front of the Moon while glowing.

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STEP TWO:  Here are the scrawled, digital pencils done on a 2,000px x 3,000px canvas @ 300dpi in Rebelle 8.

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STEP THREE: And here is the finished digital work, using mostly digital Watercolor brushes and a digital Airbrush.  There was some digital trickery involving a couple Overlay layers to give that glow on the Bat symbol.

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Done digitally in Rebelle.

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Superman: Superman (2025) with David Corenswet

SUPERMAN:
David Corenswet

Of course I went and saw "Superman" (2025) the opening night, and I thought it was generally a great movie.  People have described it as the most comic book of comic book movies and I will agree with an emphatic "Hell, yeah!"

Lois Lane and Jimmy Olsen were perfectly cast; Mr. Terrific was, well, terrific; Guy Gardener was exactly what you would think he would be; Hawkgirl was fun for the little bit she was in the movie; Lex was just a straight up villain; Jonathan and Martha Kent were perhaps dialed up a bit too much on the corn pone level but were still good people who raised a good son.  Krypto was also great fun (the part with Superman looking for Krypto and saying "He's not even that good of a dog" amused me, but he kept looking).

David Corenswet is a great Superman (so was Henry Cavill, but I felt he was failed by the dour story in which he was placed).  Gunn really got Superman right for the screen--and this is probably the best Superman alongside Christopher Reeve, full of hope, kindness, and there always being a way--although there were a few story plot points which rubbed me the wrong way (particularly the motivating action of the movie involving a Kryptonian video--I'll leave it at that).

Overall, I enjoyed it, had fun, found the funny parts funny, enjoyed the action and easter eggs; there were a couple plot points that I didn't care for, but those were mentally put aside for the good time and good vibes I had for the rest of the movie.

Hmmmm, one more digital Quick Paint and it would be a full week/seven pictures.  Ah, I have an idea related to Superman that should tie everything together.  Well, probably not that far, but it will amuse me (and hopefully y'all) nonetheless.  Stay tuned for tomorrow to see how we end this Super-Week!

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STEP ONE:  Here are the really quick, first pass with digital paint, done on a 2,000px x 3,000px @ 300dpi fine Gesso canvas in Rebelle 7.  Once again, I used the Oil Palette Knife brush rather than the Oil Filbert Brush for those of you who are curious.

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STEP TWO:  Here it is a little further along and more blended.  After a little while, I realized that I had the face a little off, so I did some quick Selecting and moving around--moved the face up here, shortened the nose a bit there, and then did some more blending and painting to fix it.

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STEP THREE:  And here's the finished digital painting.  Once again, I was a bit too quick on the draw (heh, pun!) and should have corrected the placement of the eyes/nose/mouth much earlier, rather than rushing into the fun stuff, building up the shading on the face, trying to finish as soon as possible, etc.  There's a lesson in there that I am sure I will fail to heed.  But, I did get mostly there in the end... mostly.  Then again, these are just Quick Paints, so won't be perfect.

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Done digitally in Rebelle 7

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Superman: Superman Lives with Nicolas Cage

SUPERMAN:
Nicolas Cage

Hey, it's turning into Superman Week here at the Blog, why not?  This time, let's go off script and go with something completely wacky: Nicolas Cage as the Superman that almost happened but never was collaboration with Tim Burton.  I will admit, that I was not vibing with this when it was announced, so wasn't too disappointed when it wasn't made (although, the movie 'The Death of 'Superman Lives'" did make me wonder...).  Sure, I would have gone to see it, but there were so many things which gave me pause, primarily the casting.  Then again, I may have been wrong and it could have been up my alley.  Heath Leger's Joker gave me pause before I actually saw it in the theaters and it was perfectly done; Nicolas Cage's Superman could have done the same, who knows?  (But, odds weren't favorable, if I had to guess.)

Cage did sort of get his chance to finally fight that giant spider at the end of "Flash" (2023) movie, which was not a very good movie, either.  Side Note: The Speed Force and running effects were just terrible after seeing them done right with Quicksilver in the "X-Men" movies (ironically, not very well done in the Marvel "Avengers: Rise of Ultron" (2015) movie).

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STEP ONE:  Here are the really quick, first pass with digital paint, done on a 2,000px x 3,000px @ 300dpi fine Gesso canvas in Rebelle 7.  This time, I used the Oil Palette Knife brush, rather than the Oil Filbert Brush for those of you who are curious.

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STEP TWO:  Here is the digital painting a little further on and doing what I can to correct initial errors when doing the general layout.

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STEP THREE:  And here's the finished digital painting.  I did color correct it, as there was a green color to the screen grab from the "Flash" movie.

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Done digitally in Rebelle 7

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Superman: Superman: The Movie (1978) with Christopher Reeve

SUPERMAN:
Christopher Reeve

Ah, "Superman: The Movie" (1978).  The tagline was "You will believe a man can fly," and while I wouldn't go that far, it had a profound effect on me watching it as a kid.  Superman is a truly totemic character to me--probably to an embarrassing amount--and this movie fully captured the inherent kindness and humanity to Superman as I understand the character and will always compare to other versions of Superman.  Of course he's an absolutely wholesome, big Blue Boy Scout and goody-two-shoes who will try to help everyone: He's Superman.

The sequel, "Superman II" (1980), was pretty great, as well, but I overlooked the silly, "Three Stooges" slapstick comedic parts Lester directed which really stand out like a sore thumb when I watch it today.  Ah, well, it's a good enough movie to overlook it.

Needless to say, the quality of the Christopher Reeve movies went down sharply thereafter, but let's not talk about that...

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STEP ONE:  Here are the really quick, first pass with digital paint, done on a 2,000px x 3,000px @ 300dpi fine Gesso canvas in Rebelle 7.  This time, I used the Oil Palette Knife brush, rather than the Oil Filbert Brush for those of you who are curious.

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STEP TWO:  Here is the digital painting a little further on.  Mostly, it was just blending and adjusting what was laid down in the First Step.  I realized that the chin was creeping into Frank Quietly territory, so I lassoed it and moved the face down a bit.

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STEP THREE:  After moving the face down, that seemed to correct something which was nagging my subconscious when doing the painting.  It mostly looked alright and seemed correct, but there was something about it which was making my Spidey-Sense tingle, if you will forgive me mixing my comic book franchises. 

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Done digitally in Rebelle 7

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Superman: Adventure of Superman with George Reeves (1952 to 1958)

SUPERMAN:
George Reeves

Now it's the ubiquitous Superman of my childhood.  Every once in a while, it would be syndicated on a local channel and I would get to catch some of the episodes of "Adventures of Superman".  Reeves version of Superman was more square-jawed and avuncular.  As cool as it was to see Superman on the small screen, I was always disappointed he wasn't able to battle the villains from the comic books.  Instead, it was Superman fighting other middle-age men in suits... Granted, they are probably the true bad guys in society, but I wanted to see his fighting Brainiac, Mr. Mxyzptlk, and assorted aliens and monsters.  Granted, I was a dumb kid with no understanding of TV Budgets or Special Effects limitations of the time (as opposed to now when I'm a dumb adult with only a marginal understanding of TV Budgets or Special Effects limitations).

Still, it was from a time when beggars couldn't be choosers when it came to super-hero fare on the ol' television, and I took everything I could get.

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STEP ONE:  Here are the really quick, digital pencils, done on a 2,000px x 3,000px @ 300dpi fine Gesso canvas in Rebelle 7.

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STEP TWO:  Here's the colors done under the pencils, which I duplicated and merged down onto a single layer.  I then duplicated the Layer to preserve it for the "Work in Progress", and started working over the digital pencils/paints.

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STEP THREE:  And here's the finished digital painting, done with lots and lots of back-and-forth and blending.  Mostly, it was done on a single layer, with an occasional added one which was then merged down, as well.

I realized that the nose was a bit short and the shape of the head should have been a bit more square.  It's another example of a 1/4" here and the 1/8" there (that a .6cm to .3cm to those of you who use metric) can make a real difference as to how a picture turns out.  Onward to the next one or two!

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Done digitally in Rebelle 7

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Batman-uary 2025 - Jungle Batman (Part 2)

BATMAN-UARY 2025:
Jungle Batman (Part 2)

Just under the wire, it's Batman-uary: Jungle Batman: Part II.  I had this idea halfway through doing the last post with Jungle Batman and it amused me (not that it takes much to amuse me, of course).

There was an all too brief fad of drawing male characters in the pose of various female poses on covers and pin-ups with predictably ridiculous (and amusing) results.  So, continuing that tradition... here it is!

I will admit that I cheated a little bit on this one, as I had done a GIANT (20" x 30") recreation of the "Sheena: Queen of the Jungle" cover for a friend, so I already had some pencils of the cover I could digitally ink over in Clip Studio Paint.

Once again, here is the original cover to "Batman #72" (1952) with Jungle Batman.

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It was done as a parody/homage of Dave Steven's "Sheena: Queen of the Jungle #1" (1985).

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STEP ONE:  Here are the scrawled, digital pencils done on a 2,000px x 3,000px canvas @ 300dpi.  I quickly scrawled over my pencils for the recreation of the cover I did earlier for Dave Stevens' "Sheena: Queen of the Jungle #1" (1985).

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STEP TWO:  And here are the digital inks, mostly done with a 10pt brush.  Luckily, I was able to save a few steps by just inking over my pencils/inks from the cover recreation.

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STEP THREE: Here is the finished digital work, done using a series of layers for each color, and a very slight paper texture over top.

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Done digitally in Clip Studio Paint.

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Batman-uary 2025 - Jungle Batman

BATMAN-UARY 2025:
Jungle Batman

It's Batman-uary: Part II.  This time it's Jungle Batman from 1952's "Batman #72".  The story involves...  Well, now that I think about it, I'm not entirely sure, nor am I sure I want to find out.  I believe it involves a shipwreck on a desert island of some sort.  Maybe they find Gilligan and the rest?

Here is the original cover to "Batman #72" (1952).

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And it was done as a parody/homage to Frank Miller's "The Dark Knight Returns #3".

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STEP ONE:  Here are the scrawled, digital pencils done on a 2,000px x 3,000px canvas @ 300dpi.

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STEP TWO:  And here are the digital inks, mostly done with a 10pt brush.

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STEP THREE: Here is the finished digital work, done using a series of layers for each color, and a paper texture over top.

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Done digitally in Clip Studio Paint.

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Batman-uary 2025 - Mummy Batman

BATMAN-UARY 2025:
Mummy Batman

Once again, it's Batman-uary... and my 600th Post!  To kick it off this year, it's Batman's costume from 1963's "Detective Comics" #320, featuring Mummy Batman.  Apparently, Batman and Robin are exposed to some sort of alien substance which turns their skin green.  In order to make sure people don't guess that the suddenly green Bruce Wayne and Dick Grayson suspiciously have the same complexion as Batman and Robin, they wrap themselves up as Mummies.  It was the 60's, what can I say about Mummy Batman other than it worked and was completely logical, of course. 

Originally, I thought about doing something more horror-related and a realistic, decayed Batman Mummy--and may still in the future.  But, what could be more fun than mashing up that Mummy costume Batman with one of many classic Frank Miller panels from "The Dark Knight Returns"?  I immediately knew I had to do it that way, instead.

Here is the original cover to "Detective Comics #320".

And it was done as a parody/homage to Frank Miller's "The Dark Knight Returns #3".

And here's the Batman-uary Logo.  Feel free to use it as you please...

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STEP ONE:  Here are the scrawled, digital pencils done on a 2,000px x 3,000px canvas @ 300dpi.

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STEP TWO:  And here are the digital inks, mostly done with a 10pt brush.

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STEP THREE: Here is the finished digital work, done using a series of layers for each color.

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Done digitally in Clip Studio Paint.

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