Mini-Paint: Talosian

Talosian

Here's another quickie acrylic painting.  This one ran a little longer than I intended--I planned on these being only 60-90 minutes, but this one went 2 hours.

In this case, it is the telepathic alien species, the Talosian, from "Star Trek" episode "The Cage/The Menagerie".  I'm sure enough of you are nerdy enough for me to not have to explain the long, storied history of that episode(s).  Anyhoo, when I saw this episode as a kid, I was captivated by the aliens and their telepathic powers.  Great episode!

I used the same palette as the C-3PO painting below: Titanium White, Ivory Black, Cadmium Yellow Medium, Naples Yellow (Red Lt.), Yellow Ochre, VanDyke Brown, Cadmium Red Deep, Permanent Blue Violet, and Ultramarine Blue.  I also used a #10 Flat Brush and a #10 Round Brush for all the painting.

Alas, the scanner really picked up on the texture of the gessoed hardboard.

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STEP ONE:  I grabbed a 5.5" x 8" gessoed hardboard which had a neutral tone thrown over top and took a couple minutes to rough in the general layout with an ebony pencil.

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STEP TWO:  I used a #10 Flat Brush to lay down the general shapes and colors for the first half-hour.

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STEP THREE:  Over the course of the last 90 minutes, I tightened up the facial features, and pushed the shadows and highlights using both the #10 Flat Brush and the #10 Round Brush.

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This was done with acrylic paint on 5.5" x 8" gessoed hardbard.

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Mini-Paint: C-3PO

C-3PO

Well, I realized that I had been pretty lazy last year and really need to start working harder if I am going to get anywhere.  I thought I should set aside some time each week to do two or three short paintings--something in the range of 60-90 minutes or so at a maximum.  Just a warm-up of sorts, so nothing too fancy.  

Starting last week, I had set up a couple typical still life arrangements involving fruits and vegetables that were on the counter.  Y'know, the usual artsy-fartsy stuff, and they turned out well enough.

In this case, I wanted to work on painting something shiny and thought C-3PO would fit that bill just fine and--BONUS!--would also work as something I could post on this Blog without it lookin' out of place.  I grabbed a 5.5" x 8" piece of gessoed hardboard that I had randomly toned with some neutral colors.

For the palette: Titanium White, Ivory Black, Cadmium Yellow Medium, Naples Yellow (Red Lt.), Yellow Ochre, VanDyke Brown, Cadmium Red Deep, Permanent Blue Violet, and Ultramarine Blue.  I also used a #10 Flat Brush and a #10 Round Brush for all the painting.

I think it turned out well enough that I'm not totally embarrassed by the results.  I'm thinking I may post a series of other Sci-Fi/Horror/Comic Book oriented warm-ups in the future if there's enough interest.  We'll see, I guess.

And this time I had enough foresight to scan in my progress a little bit.  Yeah, I know, who'da thunk it?

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STEP ONE:  First, I did a pencil layout with an ebony pencil I had laying around.  I will be the first to admit that they are a little off for the shape of the head, but I just wanted to get a rough placement of the figure and planned on fixing anything in the painting stages.  This was just a warm-up of sorts, after all.

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STEP TWO:  I spent about 30 minutes using a #10 Flat brush to layout most of the form, lights and shadows, and the general color arrangement.  In some ways, I sort of like the flattened, posterized look and thought about stopping here.  It was done just enough that you can recognize who it is, but still abstract enough that it was visually interesting, IMHO.

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STEP THREE:  I used the remaining hour I gave myself on this for tightening up the colors, adding more shadows and highlights, and a little bit more detail.  At the end of the 90 minutes, I pretty much called it done, signed my name on it, and scanned it in.  Good enough.

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This was done with acrylic paint on 5.5" x 8" gessoed hardbard.

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March M.O.D.O.K. Madness 2016 - Part 3

March M.O.D.O.K. Madness - 2016

Mental Organism Designed Only for Killing

It's yet another submission for March M.O.D.O.K. Madness Blog for 2016!

This time, it's a mash-up of that kid with an over-sized melon who already bears a slight resemblance to M.O.D.O.K., Charlie Brown.  If the mechano-chair fits...

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PART ONE:  Here are the quick breakdowns, done with a .05mm mechanical pencil on 8-1/2" x 11" cardstock.  I then scanned it into Photoshop, which was a 1,000pt x 1,400pt document. 

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PART TWO:  I did digital inks with a 9pt hard brush in Photoshop.  I thought I should move just a little bit off a straight Charlie Brown drawing and emphasize some of the brow to merge him more visually with M.O.D.O.K.

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PART THREE:  The colors were done with a new MULTIPLY Layer, and then did the glowing effects with a new Layer and a 50pt air brush at 50% opacity.

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Done with Photoshop.

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March M.O.D.O.K. Madness 2016 - Part 2

March M.O.D.O.K. Madness - 2016

Mental Organism Designed Only for Killing

It's another submission for March M.O.D.O.K. Madness Blog for 2016!

This is a picture of the last thing you will see just before M.O.D.O.K. mindblasts you into oblivion... :-O

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STEP ONE:  Here are the breakdowns on a 900px by 1,100px canvas.

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STEP TWO:  I tightened up the digital painting in the face a little bit, figuring this was good enough for me to get started.

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STEP THREE:  Here is the first color overlay, done with a Multiply Layer.  I also did the line work for the headband, using a straight line and then the Warp Tool to bend the line.

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STEP FOUR:  On a New Layer (Normal Mode), I finished up the rest of the digital painting.  I added the white lights and lines for the piping on his headband.

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STEP FIVE:  I blurred the white of the piping so it looked like it was glowing.  And, finally, I created a series of white triangles around the middle of the center headband and used a Radial Blur (Spin) Filter to create the blasting effect.  Now, to send it off the the March M.O.D.O.K. Madness Blog!

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Done digitally in Photoshop.

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Happy (Belated) Pi Day!

Joe Pi Says...

It's Joe Pi--one of my favorite characters from the comic book series, "Top 10", by Alan Moore, Gene Ha, and Zander Cannon.  The premise of "Top 10" is that it is like "Hill Street Blues" in which everyone in the population has super-powers.  Joe Pi is a transfer from Turingville and has to deal with discrimination within the precinct, stereotypes, etc.  Given the humor and intelligence of the character, Joe Pi quickly became one of my favorite characters!

HERE ARE SOME HIGHLIGHTS of Joe Pi's first appearance in "Top 10" #11, giving you a flavor of what makes him so great.

Unfortunately, I thought of this a few hours too late to finish it before midnight on March 14, 2016.  However, when I put the last, finishing touch on the cartoon, I checked the clock on the corner of my computer screen; it was March 15, 2016, at 3:14am (CST).  Perfect!

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STEP ONE:  Here are the digital pencils, done on a new 1,000px by 1,400px document.

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STEP TWO:  The digital inks were done mostly with 5pt Hard Brush.

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STEP THREE:  And here are the colors, done on a new Multiply Layer.  Done and DONE!

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This was done digitally with Photoshop.

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Mea Culpa, Brian Bolland

Original vs. Replica 
(or Paxton vs. Pullman)

OK, this is a little strange and could almost qualify as shameless self-promotion if it weren't for the fact that, apparently, I've unknowingly become a minor headache to comic art legend, Brian Bolland... 

While checking stats for this Blog, I noticed there were several links from an article on the La Covacha website:

http://lacovacha.mx/noticias/wtf-la-portada-de-the-killing-joke-que-no-es-de-brian-bolland/

After hitting the "Translate to English" option in my Chrome browser (hey, I barely read and write in English, let alone another language), I read through the article "WTF | THE "COVER" OF THE KILLING JOKE IS NOT OF BRIAN BOLLAND" by Alberto Calvo.  It talked about how, many times, my replica of Brian Bolland's "Killing Joke" cover is used on websites in place of original Bolland's work.

WTF, indeed!

He lays out the basic, obvious reasons for this:

     1. It is not obscured by logos (mostly because I dislike lettering so much)
     2. The images are both online and larger in size than most

I'm also sure a lot of it has to do with some one doing a Google Image Search, seeing my picture, thinking they've found it, and grabbing the wrong one.  Y'know, like how people confuse Bill Paxton and Bill Pullman all the time.  Then, some one else sees that picture labelled as Brian Bolland's on their website, grabs it for their own, and the confusion compounds itself,   (Although, I've seen some examples where my signature is rather obvious in the picture, so that's kinds strange... You'd think they'd ask "Who the heck is this 'John Douglas' guy signing his name to Brian Bolland's cover?)

Here is a section from the article (and I will blame any quirkiness in grammar on the translation software, not Mr. Calvo):

When Brian Bolland came to Mexico a couple of years ago as a guest of La Mole Comic Con, he who made me realize that, apparently very popular, image was not its cover, but a recreation was. Some fans who have made use of services bound for filling their volumes of paperback used that image as cover, which no longer wryly funny, because some of them took to sign a copy on the cover of the original artist was replaced by a copy.

http://lacovacha.mx/noticias/wtf-la-portada-de-the-killing-joke-que-no-es-de-brian-bolland/

First, I find it terrifyingly euphoric that Brian Bolland has even seen any of my artwork.  I mean, I'm just a guy in the middle of nowhere, so the thought that one of my artistic heroes--or any comic creator for that matter--would have seen anything I did is almost too bizarre for me to wrap my mind around.  On the other hand, I am mortified if it has caused him any sort of distress, as mentioned in the article.  So, there is a half-eaten worm in that apple, if you will.  Mea Culpa!

While I understand it, I also find the confusion a little embarrassing in the "My version doesn't match nearly enough" kind of way.  I shot the finished painting with a sub-par camera, so the picture is a little blurry in a couple spots, the color is slightly shifted and washed out, and there is even a spot on the top-left where the light from the lamp reflected into the picture.  Sure, I could go back and color correct everything, but that would even cause more confusion, methinks.

I do have to admit, though, when I do stumble across my artwork out in the wilds of the internet, regardless of the context, I'm one step from clutching an imaginary Oscar and saying "You like me!  You really like me!"

All that said, it's kinda weird to read an article about yourself, especially since I had no idea it was being written.  WEIRD!  The world is a funny place, sometimes...

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Oh, and one correction from an otherwise good article: I do **NOT** do cover replicas on request.  They are **HUGE** (20" x 30" / 50cm x 75cm), they take **FOREVER** to do, and it is generally a pain in the butt to try and match someone's style as closely as you can, line-by-line.  I am doing them as a favor for a friend of mine that runs a local comic book shop (speaking of which, I am currently finishing up the next one in the next couple weeks).  That said, if you are an eccentric billionaire with ridiculous amounts of cash to waste and want to have a giant comic book cover replica, please contact me. :-D

Here's a link to the Original Post featuring the creation of the "Killing Joke" Cover Replica.

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March M.O.D.O.K. Madness 2016 - Part 1

March M.O.D.O.K. Madness - 2016

Mental Organism Designed Only for Killing

Well, it's that time of year again based on everyone's favorite Mental Organism Designed Only for Killing, March M.O.D.O.K. Madness!

Here is my first 2016 submission of M.O.D.O.K., visually based on Ed "Big Daddy" Roth's Rat Fink.  I am hoping to get a few more done for the March M.O.D.O.K. Madness Blog, so cross those fingers and toes!

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PART ONE:  Here are the digital pencils I scribbled out on a 1,000px by 1,250px document.

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PART TWO:  Here are the digital inks.  Mostly, I used a 5px hard brush.

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PART THREE:  I created a MULTIPLY Layer and colorized over the top.  I kept the color scheme pretty simple... like me!  :-)

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This was done digitally in Photoshop

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